The Blue Plastic Milk Crate

Roger spends most of his days seated on a blue plastic milk crate. Every morning, summer or winter, the sun wakes him in his rag nest, warming the cold concrete in the opening leading to the corner stairwell of the building car park. Only just awake, Roger slouches half upright on his right arm and leaning over, takes a drink. Then of course there are other actions he undertakes that do not bear polite description. The point however, on every other morning, is the grime crusted, bearded, hair-dirted figure that ultimately staggers upright to flop onto his blue throne.

Around the corner, in the bitumen open space between the back of the Newtown Centre and the newer block of town houses there is a large crowd of industrial rubbish bins. Above them on the roof top the Ibis also gather to meet the sun. It’s peculiar if you remember that these birds were characterised by the ancient Egyptians as representative of the deity Thoth, god of writing and knowledge. A more unlikely bunch of long-legged, moth eaten looking birds, greedily squawking out of the side of their black, scythe-like beaks at the  prospect of fresh garbage, is hard to imagine. Scribes without too many pennies in their pockets perhaps? Fallen on hard times and forced to the streets to get a living?  Maybe they’re just like Roger.

Roger, set back in his customary niche in the early light. His old grey army surplus blanket is now draped around his bony shoulders and his arms are crossed on his chest; one hand is keeping hold of a grimy corner; the other tightly surrounds his breakfast bottle of beer.

You might also see Roger on other occasions as he returns from the other end of King Street. He is staggering from side to side along the black bitumen and brick footpath; stumbling down past Newtown Station toward the side lane by the High School of Performing Arts, the location of his throne. 

These outings do not for the most part coincide with any mere necessity for the body’s sustenance: stale bread rolls or some mangled chicken or leftover fruit; perhaps a two day old litre of milk, all being thrown out by the Cafes and other businesses along the strip. Instead, they are pure journeys of a suff,ering soul, rendered down now to the need for another bottle of drink. On such occasions, if his luck is in, Roger has already managed to consume at least one full one and has another clasped against his chest. The result of this good fortune is the added drama of loud, incomprehensible yelling and other, quieter conversations with what you could only interpret as the shades of his past:  beings that Roger can see, but we, the other passers-by cannot. 

Maybe if the seemingly oracular words of these mad, alcohol sustained rants could be unpacked like the contents of old suitcases, you might find in them some clues as to the progress of Roger’s life: why it is that his existence  has been rendered down to this crumpled crouching on his plastic box. Such an investigation however might require a real conversation rather than the simple acknowledgement that many locals afford Roger as they pass. If anybody did succumb to a full scale engagement with him though, Roger would probably tell them that he lost the tickets and the keys for the said luggage a long, long time ago.

So Roger will simply lie down once again at the end of this day. His head rests on an old jumper and the blanket is pulled up almost to his nose. His arms are crossed once more. He has enough liquor in his system to feel suitably embalmed: his breathing becomes one with the velvet dark.

In the frail barque of his sleep Roger is adrift and blessedly forgetful; and through the underworld of our urban night, he is sailing now, slowly, toward yet another dawn. 

Parnassus the Horse, the Wheel and Language

If you’d like to tackle a book that will keep your head spinning, The Horse, the Wheel and Language by David Anthony is the one to go for.

Initially I thought it would be a nice, easy kind of read with lots of pleasant illustrations of dug up things; but in fact it is a large, complex tome full of facts and figures that describe various completely mind-boggling studies by a host of different archeologists in search of dates for the advent of the Wheel, the domestication of the Horse,  the first use of the Cart,  and so on.

Maybe you’re old enough to remember the famous Highlander movies series where Connor Macleod (aka Christopher Lambert) tries to keep his head while reluctantly removing the heads of others ? It came complete with a Freddy Mercury theme song called Princes of the Universe and a tag line of There can be only one.

In first and classic screenplay, Connor’s scary adversary is known as “The Kurgan” (played by one Clancy Brown), a kind of conanesque bronze age swordsman with a very bad attitude toward most things, including Connor himself.

Enter Anthony’s book, where you’ll discover that “The Kurgan” is a real, academically concocted name for the Aryan uber-culture, the original speakers of indo-European. Between these mythical speakers and modern times lies a bewildering host of other cultures, mainly in and around the Black Sea, that have been rigorously documented and catalogued as part of the effort to  stump up the dates of the title.

During the course of your journey you’ll also run across some quite unnerving facts.  Stallions can only be definitively identified because they have canine teeth?

That maybe suggests why Diomedes flesh-eating horses, the ones that Herakles was forced to deal with, might actually have come to be?

Also,  high-caste female burials give ample evidence of the practice of human sacrifice:  perhaps not a comfortable thought in our day and age with its very active Women’s Rights movements. Ever heard of “SCUM”? (Society for the Cutting Up of Men).

Anyway, despite its difficulty (I doubt the book would pass the Flesch test for easy readability – but that seems a positive virtue to me),  The Horse, the Wheel and Language, is worth its price. Certainly it’s better than being subjected to a bolt of lightning while binge-watching Highlander – or at least, that’s my opinion for the present.

 

The Horse, the Wheel  and Language; David W. Anthony; Princeton University Press 2007

Excerpt diagram — the language tree

Nowhere in Particular

Three hundred or so dusty red kilometres up the Western Highway from the coast, and about five kilometres from the turn off to Lizard Drinking, lies the small outback settlement of Yakult.  It’s only claim to fame is that it was named by some exhausted minor German explorer who camped there for a few nights while ostensibly searching for the fabled Australian inland sea. Eager perhaps to leave at least some sign that his expedition had passed that way, on departing he reportedly nailed a small commemorative pewter plate to a large gum. “Frederick Grossendum, Yakult, 1863”.

“Call me Jim”, said the barman, as he laid the paperback he had been reading face down on the counter and slipped off the stool to stand behind his bar:  “What will you have?” On the wall behind him, tacked in among the dusty spirit bottles, a large yellowing piece of card announced prices for the available fare.

Mike inspected it carefully before he answered: “seeing its eleven am in the morning, we thought we might be able to get some breakfast?”

“Surely” says Jim, “not a problem. It’s not as if we’re too rushed at the present anyway”. He reached down beneath the taps and retrieved what looked like a child’s toy walkie-talkie. He put it next to his ear; there was a sharp click and a crackle and then he began speaking: “Ma, Ma, are yer there?”

Stay tuned — there will be more …

The God of Vegetation

We had cause to visit Glebe Point Road for the first time in a long while this Wednesday past. The occasion was a book launch, upstairs at Glee Books, starring the lovely Judy Beveridge. After the event, needing to find something to browse in the way of dinner, we opted for burgers and chips at a rather unique joint on the strip – a Vegetarian Diner (the name of which is withheld to protect, well, me) …

Adonis gets ripped in the side or ritually murdered. Which is it? I can’t quite remember.

Time to dust off my copy of The Golden Bough and maybe get a definitive answer. One thing about it, he must have been a thin and emaciated kind of chap if he was relying on burgers from this place.  The fare: a brioche bun quaintly decorated with “plant-based beef” and the usual salad bits: not even a fried egg to boost the flavour.

They do however fabricate a really good chocolate milkshake. I’d be inclined to revisit just for that; but otherwise, well, they can keep their ideas about the God of Vegetation …

In Greek mythology, Adonis was the god of beauty and desire. Originally, he was a god worshipped in the area of Phoenicia (modern – day Lebanon), but was later adopted by the Greeks. According to the most popular belief, he was the son of Theias, king of Syria, and Myrrha (also known as Smyrna), Theias’ daughter.

 

Stranger than fiction

One goes through life imagining that the phrase is a tired, hackneyed truism; and then the extraordinary occurs: an object lesson …

Hi Judy,

I won’t make Jane’s reading tonight, but if I could catch you up on  the Thursday that would be just great. Is 4 pm okay? I know you’ll be classing on the 25th, but I think I’ll wait for the next one before that to launch back or ease  into harness again as it were … I presume from what I’ve seen, a fortnight after that?

While I’m here, a stranger-than-fiction story  for today.  Some time back a cousin of mine was getting into my ear that I should try my hand at the terrible blogging. As it happens, I have a fairly basic web site already for our business. The host organisation for that,  Adobe, has just announced it is shutting down its service – a royal pain, but not illogical as Adobe mainly provides software for photo graphics, film editing and general publication design – the web hosting was really just an added extra; and these days, the market is pretty saturated with such offerings.

Anyway, I have to redo my sites and find a new host. As part of the fun, I thought I might as well try my hand at the blogging as well.

So, this afternoon I was idly trying to come up with a Blog title and somehow arrived at the phrase “Parnassus on Wheels”. The idea seemed to shoot  up from a memory of an old illustration in a “Pick of Punch” that I inherited from my Dad —  it was a circa 19th century cartoon of a huge pantechnicon or tumbril cart about to charge down from the top of a hill.  The cart was loaded with a vast, heaving, fighting mass of figures — politicians, farmers, tinkers, tailors, artists, writers, ladies of ill-repute, soldiers and so forth …

I set the basics up and then went googling for some useful photos or general information on Parnassus.  Imagine my surprise, wonder and laughter, when I came across this Wiki link:

 https://en.wikipedia.org/wiki/Parnassus_on_Wheels

Something else to hunt up on ABE Books and read … especially as the main character’s name is … well, me … 

Hope 26th will suit you Judy. Very much looking forward to seeing you …

Love

A.

P.S.  I have just found the text in Gutenberg online  … 

“I wonder if there isn’t a lot of bunkum in higher education? I never found that people who were learned in logarithms and other kinds of poetry were any quicker in washing dishes or darning socks. I’ve done a good deal of reading when I could, and I don’t want to “admit impediments” to the love of books, but I’ve also seen lots of good, practical folk spoiled by too much fine print. Reading sonnets always gives me hiccups, too.

I never expected to be an author! But I do think there are some amusing things about the story of Andrew and myself and how books broke up our placid life. When John Gutenberg, whose real name (so the Professor says) was John Gooseflesh, borrowed that money to set up his printing press he launched a lot of troubles on the world.

Andrew and I were wonderfully happy on the farm until he became an author. If I could have foreseen all the bother his writings were to cause us, I would certainly have burnt the first manuscript in the kitchen stove.”

Excerpt From: Christopher Morley’s  Parnassus on Wheels