The Return

For what might have been a month, after passing through the gates of Horn with their intricate filigrees of beasts and battles, they camped at the foot of the mountain. There in what they thought was a true heart-wood glade, they pitched their tents and tethered their tired horses. 

With charcoal from the fire and sticks of finely pressed colour that they had carried with them, they covered every part of their shelters in what they could remember of the language of their intentions. And yet, despite those careful efforts, each night outside the circle of the fire that which was unknown still moved among the trees, seemingly intent on testing, then breaching the camp’s boundaries. 

In the repetition of those dark hours, their ability to rest also became elusive. Instead, there were drifting fragments and patterns that plagued the corners of their unfocused eyes: then often, having reached an almost feverish point of exhaustion, each would suffer sudden agonising spasms in the muscles of their legs or at their throats; and all, apparently, without clear reason. 

Time itself did not move there properly either. If they could have caught its passing in some tangible form, it would have been as a sketch of a bird with damaged wings that rising up from the page, would slowly drag itself across the clearing, finally to hide somewhere deep among the discoloured bracken and detritus of the forest floor.

 

She had been working on the idea for some time now; insofar as time could be determined. It was about the appropriate forms, a choice of intricate rituals with which they might manage to honour their dead. He had been an older man than the others but still he seemed  in good health. When he collapsed on the strand by the river that sunlit morning they were all surprised; and even more so as despite all they could do, he coughed and choked and shook his way toward a final end. 

They found they could not bury his body there: the strand itself was rocky and the sand beneath far too hard and compact for digging. Instead they contrived a kind of litter from an old blanket and some hastily cut timber; and dragging behind his horse he had made the first part of that journey back with them.

Someone had found a jar of pale honey in their saddle bags. At the edge of the clearing there grew a large clumps of bitter smelling herb or weed. They tore off handfuls of the plant and mixed the two with some of their now brackish water, then soaked the blanket and tightly wrapped the body. Then they hoisted it to their shoulders and gently carried it to the western edge of the glade. There they laid it down in a drift of leaves where the shadows of the wood would always deny a passage for the sun.

When they returned, she was hunched on a flat stone by the fire; and without moving, she called out to all of them quite clearly: 

“He deserves to be farewelled: but I think that somehow, at all costs he must be kept from the gates of Ivory”.

“What are you suggesting? He cannot return”, Roland replied from where he now stood,  just behind her: ”there is no resurrection of the body in its last corruption”.

“How can we really know?”, she said: “here in this place of so many edges, even that might just become possible”.

Without replying, Roland turned on his own boot heel and left her there alone. Having no obvious thought for any other occupation, she again began to pursue her own thoughts: and by that mental effort, she found the strength to make other,  more complicated additions to her drawings.

Finally,  having found nothing and understood nothing, they broke camp and left that forest on the side of the mountain by passing once more through those self-same gates of Horn.

Time is passing … and now had passed …

The clearing is empty, and sans their now cold fire pit, unchanged. A wind begins to blow: picking up speed it animates the drifts of leaves at the forest’s edges.

The drowsing corpse, having been uncovered, lifts itself up, and shaking off the blanket, rolls onto its side. Its eyes, fixed on the path that leads to the gates of Ivory, are wide open and unblinking:  it supports the weight of its pale head with one of its withered arms …

Lorum Ipsum No. 1

But I must explain to you how all this mistaken idea of denouncing of a pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?

On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralised by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammeled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse.

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Imaginary Islands

I

Lying as it does just beyond
that dangerous reef so renowned
amongst the solipsists, the first
one being very close is almost
too geographically obvious.
For countless years the swells
have fumed like powdered glass
along its shores; or when stirred
up to ruin, in bitter throated waves,
have crashed down hard against
its stubborn granite cliffs and falls.
The storm-wrack of the place
has never offered up good kindling:
glass bottles lie half buried on
the tide mark; but when exhumed
they contain no messages. Above
the beach, the noise-crazed birds
twine their awkward necks in love,
then build untidy nests among
the hissing grasses: their spattered
feathers barely keep the shipwrecked
warm: but eaten raw, the carcasses
will almost serve to still the Island’s
special seeming brand of hunger.
 

II 

The second one is often deemed
to be, though crowded, far more
fortunate …

Do feel free leave some comments here for me, maybe with some suggestions as to where this should go: at present it takes me about six months to churn out around fifteen almost poems. That means I start say around sixty or so pieces of work each year. Many poems, sadly, during the working life of a poet, are simply still born. And after all, when all is said and done:

How much time do we have to labour
on the lathes of our brief lives to shape,
for all these children the images that are
a waking baptism? To craft for them true title
a waking baptism? to our naked, ungainly selves?
then, without fear or favour, to let them all crawl
awkwardly free …
 
The Infinite Monkey
 
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
 
W. H. Auden – On the Death of W.B. Yeats
 
 
 

Kalliope

Not much is really known of the eldest girl with the sultry voice and the ink-stained fingers; whether she was a decent dancer like her other sisters; whether she could truly hold a tune in her throat or her belly, or perhaps she just moaned the forms. Was she tightly frog-faced, or just splendidly beautiful? Did she dress clumsy in ash-stained rags or the richest silks, or simply in cotton? But it seems she still snared her share of would be admirers: her classicism, those clean white marble images, professions of dying and undying love; rhythms and rhymes: she had it all.
Kalliope

Notes on Sarpedon

“In a late version of the Medusa myth, related by the Roman poet Ovid (Metamorphoses 4.770), Medusa was originally a ravishingly beautiful maiden, “the jealous aspiration of many suitors,” but because Poseidon had raped her in Athena‘s temple, the enraged Athena transformed Medusa’s beautiful hair to serpents and made her face so terrible to behold that the mere sight of it would turn onlookers to stone. In Ovid’s telling, Perseus describes Medusa’s punishment by Minerva (Athena) as just and well earned”.

https://en.wikipedia.org/wiki/Medusa

The origin of my own story lies in my having read a description of the island where the Gorgon lived — Sarpedon. The island seems to have been conceived as being part of a chain. Another island in the group, “the Red Island”, was reputed to be the one along whose shores Odysseus sailed a generation later and where he encountered the Sirens (?).

In any case, this mythical chain of  islands was, according to various ancient sources, located somewhere to the west of Gibraltar in what today we know as the Atlantic Sea. As indicated, the trope of the young Medusa and her rape by Poseidon can be be found in Metamorphoses. Despite the non-consensual nature of rape, Medusa and her sisters are punished by their transformation into monsters. It is of course ironic that the Sea God is actually the Uncle of the Goddess who metes out their punishment.

I have made a more sympathetic Perseus as it fits better into the piece, and allows for the oblique acknowledgement of the Gorgons’ super-power of turning their victims to stone. The Perseus of the original myth, as opposed to the somewhat young, sensitive one who inhabits my own narrative, would just as likely have dealt with the young Medusa in a fashion not dissimilar to the God. Something of his nature in this respect is reflected in his pursuit of Andromeda later in his mythic progression.

Some more material from Wikipedia on Perseus and Medusa:

Graves, Robert (1955). The Greek Myths. Penguin Books. pp. 17, 244. ISBN0241952743. “A large part of Greek myth is politico-religious history. Bellerophon masters winged Pegasus and kills the Chimaera. Perseus, in a variant of the same legend, flies through the air and beheads Pegasus’s mother, the Gorgon Medusa; much as Marduk, a Babylonian hero, kills the she-monster Tiamat, Goddess of the Seal. Perseus’s name should properly be spelled Perseus, ‘the destroyer’; and he was not, as Professor Kerenyi has suggested, an archetypal Death-figure but, probably, represented the patriarchal Hellenes who invaded Greece and Asia Minor early in the second millennium BC, and challenged the power of the Triple-goddess. Pegasus had been sacred to her because the horse with its moon-shaped hooves figured in the rain-making ceremonies and the instalment of sacred kings; his wings were symbolical of a celestial nature, rather than speed.

Jane Harrison has pointed out (Prolegomena to the Study of Greek Religion) that Medusa was once the goddess herself, hiding behind a prophylactic Gorgon mask: a hideous face intended to warn the profane against trespassing on her Mysteries. Perseus beheads Medusa: that is, the Hellenes overran the goddess’s chief shrines, stripped her priestesses of their Gorgon masks, and took possession of the sacred horses—an early representation of the goddess with a Gorgon’s head and a mare’s body has been found in Boeotia. Bellerophon, Perseus’s double, kills the Lycian Chimaera: that is, the Hellenes annulled the ancient Medusan calendar, and replaced it with another.”

https://en.wikipedia.org/wiki/Medusa

The most interesting feature of Graves’ take on the myth is the rendering down of the story to an over-arching metaphor for the conquest and subjugation of the coastal Pelagasians (c.i.f Thucydides The Peloponnesian Wars for their actual historical existence) by the migratory tribes of the Achaeans and the Daanaids — literally the Mother worshippers vs. the Sky Horse clans. Given he is right in his analysis, any student of the myths as symbolic social history is left with a very particular problem: how is that Kore or Athena survived in her own city of that name, apparently untouched?

Finally, my young Medusa is really the tragic victim of my story.  Perseus will be forced by his circumstance to receive from her a heart of stone, the last thing he probably wants as a life long burden to the end of his days. I would think it is also the last thing Medusa really wants to bequeath to him after his kindnesses on the beach. But such it seems is the legacy left to both of them by a bitter Kore.

The full text of the Wikipedia article on Medusa and her sisters can be found here and my full text of Sarpedon is here …

Gorgona_pushkin
A “Gorgeion” – usually part of the architrave of buildings and temples – to ward off evil Spirits

Delphi in Winter

parnassus under snow

Socrates and his students are on a break from the Agora. They’re dressed warmly in boots and woollen robes; they’re spending their time snowboarding on the slopes of the Parnassus. Despite Socrates best encouragement and advice, his pupils keep falling over. He despairs; at this rate, how will he ever manage to teach them proper balance in all things?

Halfway down the hill in the Nefeli Pension, Sappho sits wrapped in a sheep skin by the fire. She pauses her reading of a good scroll to inspect her newly cuniformed nails, then reaches carefully for her bowl of heated wine. The copper lamps suspended from the ceiling have been lit, and the atrium is growing dark. She wonders when her dear girls will be home.

Old Homer is not a great one for sports now. He has spent the day rugged up in the corner of the taverna with a particularly fine jug of Ionian brandy. He has been revising The Iliad, yet again. Hesiod is propped at the bar: all afternoon he has been grumbling and musing about the Gods, his spendthrift brother, and his winter fields.

At the Temple Hospital, Asclepius’ surgery has been overrun throughout the morning: a new strain of Persian flu has become epidemic in the outlying demes.  At the end of his day now, thankfully he only has his tablets to complete. He pauses to consider the options: should it be the sharp lemons and then honey, or perhaps just prayers and dreams?

The Polis Council workers are still out: they are digging the snow away from the Athenian Treasury and scattering the Sacred Way with salt. They are glad tomorrow’s planned performance of The Frogs has been cancelled: the Oracle has predicted further inclement weather.

The Pitho Rooms Pensione, Delphi, October 2010.

Notes

Socrates, Sappho and Homer need no introduction. Hesiod is a near contemporary of Homer. His two greatest works are Theogony, and Works and Days.  The former tells the story of the Gods from woe to go:  the latter is a pastoral primer on the running of country estates. It’s filled with endless complaints levelled at his spendthrift younger brother who Hesiod felt was deficient  in his management of their family’s lands.

Asclepius was the first Greek doctor we have knowledge of and was transfigured at a later date as the God of Medicine. His temple in the Argolid at Epidaurus was renowned as the first “hospital” in history. It specialised in palliative care. As old age was not curable, its patients were more often than not, simply dosed with poppy and left to their dreams. We still do pretty much the same thing today. 

The Frogs is a play by the comic author Aristophanes. The Pythian Oracle sits on her tripod in the Temple of Apollo where she prophesies about the likelihood of  further snow in Delphi this Winter …

Nowhere in Particular

Three hundred or so dusty red kilometres up the Western Highway from the coast, and about five kilometres from the turn off to Lizard Drinking, lies the small outback settlement of Yakult.  It’s only claim to fame is that it was named by some exhausted minor German explorer who camped there for a few nights while ostensibly searching for the fabled Australian inland sea. Eager perhaps to leave at least some sign that his expedition had passed that way, on departing he reportedly nailed a small commemorative pewter plate to a large gum. “Frederick Grossendum, Yakult, 1863”.

“Call me Jim”, said the barman, as he laid the paperback he had been reading face down on the counter and slipped off the stool to stand behind his bar:  “What will you have?” On the wall behind him, tacked in among the dusty spirit bottles, a large yellowing piece of card announced prices for the available fare.

Mike inspected it carefully before he answered: “seeing its eleven am in the morning, we thought we might be able to get some breakfast?”

“Surely” says Jim, “not a problem. It’s not as if we’re too rushed at the present anyway”. He reached down beneath the taps and retrieved what looked like a child’s toy walkie-talkie. He put it next to his ear; there was a sharp click and a crackle and then he began speaking: “Ma, Ma, are yer there?”

Stay tuned — there will be more …

Bodhisattva

One of my male housemates is getting fat. He’s blowing up like a coloured party balloon. Before most of us are even conscious in the morning, he’s up boy scouting King Street and the other byways of Newtown for his big breakfast.Enmore Road with its shawarmas and exotic bread pizzas; or maybe a seat in the bar over a schooner and a plate piled high with roast meats, green beans, gravy and potatoes. He is a staunch friend to the Crispy Inn, the late night coffee shops with their cakes behind neon frosted glass, the charcoal chicken joints and the Asian takeaways. To him the culinary possibilities of South Sydney seem to be endless. You’d think he was attempting a fast-track degree in gastronomy and not comparative religion. You might forgive him if the remaining hours of his days were truly dedicated to his original chosen discipline; but here’s the rub: he got stuck on page one hundred and forty-two of the set text; the chapter on Buddhism. So now, “paradoxically”, he’s also undergone an eastern epiphany and has developed what could only be described as the full-blown “Gautama complex”.

What the F is that? You may ask. Well, in a big cloud of ignorance about what his own roots might just have to offer, between his ironic body building pursuits, he now haunts the various Buddhist outlets and book shops along the strip. He also grandly attends meditation and eastern self-help courses, and spends days in his bedroom with a big plastic bottle of Coke, a canister of Pringles and a half-bitten paintbrush, decorating his walls with multi-coloured  mandalas.

It really is so sad. When he first arrived in our terrace as a younger, slimmer, version of himself, I actually somewhat fancied him. But now under the influence of his new vocation, his idea of flirting has devolved into veiled references to the Karma Sutra and occasional awkward conversations that are undertaken as he hangs by one hairy hand from the frame of my door.

But I think not, my young rapidly self-expanding chela; this girl is no poorly clad Devi standing on one leg with bovine, adoring eyes just for you. Instead I’m kicking back in the communal living room, comfortable on the couch. And between late night episodes of The Vampire Diaries, Rock Wiz, and Rage, I’m observing with some sickly fascination as your waistline overflows your shorts and creeps gently toward your crotch.

So even after a smoke or two, your No. 1 newly shaved head is no attraction. Rather, I see in my mind’s eye your extreme saffron days approaching; but it’s not the fierce aestheticism of an Indian master that’s shaping your last beatific image. Oh no; it’s the smiling tele-tubby, he who sits crossed-legged and smiling, drenched in his own cloud of stupefying incense. The happy, dimpled, obese One, that those clever Chinese artists seem to prefer.

The Time Tourists

uploads - Cate2.jpg

Still sequestered incognito at Main Beach just south of Brisbane, Ray was exhausted. Christmas Eve, Christmas Day and Christmas Night had all passed him by without much notice as he feverishly read the Hesse Papers through to their conclusion; but the last page of the manuscript came and went without him still fully understanding the relationships between the Coast of Gold, the Contessa, and the Tunnel of Time.

He lay back in the chair on the balcony of the rented Condo feeling defeated: it was all he could think to do, to reach out for the mobile handset and order in: one of those very expensive pizzas in the hospitality folder and a very cheap bottle of wine. After he had polished both off, he drifted slowly into a kind of hot, after dinner sleep.

The light was dying on all the roads of the world and the breeze from the east streaming in across the pacific started to pick up. Restlessly, Ray began to dream …

It seems Ray Hardly, the Gum Shoe Private Detective has disappeared: but that’s not entirely uncharacteristic of his modus operandi. His comings and goings to and from his office above Salon Dread Heads in Newtown have never been anything but consistently erratic. What has his occasional girlfriend and salon owner Bridget Pantaloon perplexed is not the effort she will have to put in reporting him as a missing person, but  his last, overly cryptic text:

Don’t weight up sweetheart – a meet with the Big Man **%! Closing in on the Contessa. 100 K Jim … Friday AM.

So B is sleeping tonight with a pick axe handle under her pillow. She’s worried that this one could just be Ray’s biggest and most disastrously stupid case yet …

The Time Tourists: a Ray Hardly Mystery; Simeon & Shyster 2018.

Glancing Back

Always there are the moments we never seem
to forget: the sweat sad ghosts of sweet
rave nights, and screwed down cigarettes.

I remember that I spent at least three mildly angst-ridden years, during what was I think an indifferent kind of youth, keeping company with a somewhat pretty, dark-haired young woman who could never make up her mind.  This girl used so much grass you could have nick named her “couch”. Sitting cross-legged on her rumpled bed, eyes glazed, and her sweet mouth splitting from five different types of grins, she would roll out endless plans for the both of us; fat roaches full of choices, the discussion of which was best not refused.

But then again, she was a fanatic vegetarian who eschewed the flesh of this world in favour of kidney beans and herbal teas. She forced me on occasions to imbibe foul-tasting comfrey when I had raging flu or simple colds, always breakfasted on the lounge room floor on Vegemite and toast, and encouraged me in the habit of tobacco – an addiction I have till this day.

So, after I was firmly hooked on her and our love affair, she decided to give up smoking herself. I was then berated for months on end as to the state of my own health. She still kept using the drugs though and wanted at one precious, lost moment, to have our child. We were to escape to the outback of country New South Wales, city life at that time of legend being the epitome of the evils of the later twentieth century.

For the purposes of this short fiction, let’s call her Cat. She was enrolled at New South Wales University for a time, studying economic history and complaining endlessly about the Basser Steps. For those who like exact geography, they run in the open uphill from the top of College Road past the Basser College, and on to University Walk and the centre of the Campus itself. In those days gone by they were more commonly referred to as “the idiot stairs”. If you venture on them wearing a wraparound dress and carrying a string bag full of books and your pencils, you can’t quite get up a proper striding rhythm as you walk. It’s really no better in a suit with a fountain pen; in shorts and thongs with a biro, or in jeans either – one and one half steps or strides on and off, all the way to the top. Cat always claimed that making this improbable journey a couple of days a week gave her the idea for her doctoral thesis topic. Of course, she never managed to complete even the undergraduate degree – that was as I remember, the winningness of Cat.

Finally, and painfully, our time having been spent, we parted ways. Some years afterward, when I returned from a long sojourn overseas, I heard she had married and then wound up somewhere out west in the dry baked back blocks of the bush. But it’s been still more years than I feel like really counting now, and I have never heard another whisper of Cat.

Underneath it all though, I know I still miss the girl. I don’t use myself anymore and have more or less left off the gentle sport of drinking, but as I’ve said I still smoke; and it’s in fact really the century after our time. In the passing decades, I’ve managed to finish my own mostly useless degree, travelled a bit more, and had a purely accidental career of sorts in the City. Finally, I have collapsed back into the old habits once again – long, idle days of gossip, the questionable pursuit of art through occasional scribblings like this, and the reading of too many dog-eared books.

Anyway, I have another splendid, loyal girl now who loves me in the real world. I find myself living in sunny, inner city Erskineville – a short uphill stroll from King Street in the precarious republic of Newtown – and it’s almost a peaceful, productive kind of life at that. Then I go on some days to think I am in truth, just deep down, some sort of failed, aged urban hippie. And then, living maybe in what amounts to “an after-dinner sleep” (something that happens to often these days after a good cafe lunch), I often without any particular purpose still find myself dreaming of the distant country and Cat.

I should say that the idea for this current diatribe came to me as I sat on the stone wall of a planter bed by the rubbish bin in the square, outside of the Bakery on Erskineville road. It was a late autumn afternoon – warm, with a slight chill hidden in the evening’s approaching shadows. I was idly watching the grumbling traffic and the other passers-by. Grey Trilby, greying hair shaved back to the skull; a t-shirt and knee-length shorts; an ear-ring stuck jauntily in my left ear. I was also, of course, smoking yet another endless, hand-rolled, sneaky cigarette. The title of that unwritten economic history thesis? Would you like to know? It was “Urbanisation and the decline of the village idiot”. Funny that.